THE LAMP DESIGNER

In previous articles we have discussed the Zodiac shift from gun to knife at Lake Berryessa, his claim to be responsible for the San Jose knife slayings on August 3rd 1969, the "Bleeding Knife of Zodiac" correspondence and the possibility he was referring to the Reet Jurvetson murder as victim number eight. Then came the Melvin Belli letter on December 20th 1969, the tone of which bore similarities to the Frances Brown murder scene on December 10th 1945 at her 3941 North Pine Grove apartment in Chicago. She had been stabbed multiple times and the knife was discovered protruding from her neck. Her killer had left an ominous message written in red lipstick on the wall of her apartment stating "For heavens Sake catch me Before I kill more. I cannot control myself". The Zodiac Killer had written "I will loose all controol of myself. Please help me. I can not remain in control for much longer". We know that the Zodiac Killer had a propensity for plagiarism, often using lines from The Mikado, along with his reference to The Most Dangerous Game - both of which dated back to 1885 and 1924 respectively. Therefore, it shouldn't be too much of a surprise that he would again bring up another knife murder, this time from 24 years prior. The question is, whether anybody in the four subsequent months to December 20th 1969 could reasonably have been expected to make the connection between the Melvin Belli letter wording and the murder of Frances Brown in 1945, other than its designer?

William Heirens was convicted in the murders of Frances Brown, Josephine Ross and 6-year-old Suzanne Degnan, who was savagely killed and dismembered. This is what makes the murder of Robert Michael Salem on April 15th 1970 so very interesting. He was brutally stabbed in his 745 Stevenson Street, San Francisco apartment, with the newspapers reporting that "the killer had apparently tried to decapitate his victim and when that failed, cut off Salem's left ear". Suzanne Degnan's killer had severed her head, which was ultimately found in a sewer one block from her residence. The murderer of Robert Salem had also written on the wall of the apartment above his body, this time with "red blood" as opposed to "red lipstick", but accompanied by the wording "satan saves" and "Zodiac". The writing was adorned with the drawing of an Ankh - it was commonly held in the hands of deities, or being given by them to the pharaoh, to represent their power to sustain life and to revive human souls in the afterlife.

This crime scene coming just under 4 months after the Melvin Belli letter, which didn't overtly mention the Frances Brown crime scene, but disguised it within the context of the wording chosen. The murder of Robert Salem at 745 Stevenson Street just 1.6 miles from the 1228 Montgomery Street residence of prominent attorney Melvin Belli, 821 meters from the Chronicle offices and 0.8 miles from Union Square (the pick up point of Paul Stine's fateful taxicab journey). Could a random killer have engineered such a crome scene at 745 Stevenson Street by reading into the disguised writings of the Zodiac Killer 4 months earlier, when it is most likely not many had made the connection to the Frances Brown murder scene over two decades earlier? Or is it more likely that the Zodiac Killer murdered Robert Salem with multiple knife wounds (just 1.6 miles from the Belli residence), scrawled "Zodiac" on the wall in "red writing" and attempted to decapitate his victim in similar fashion to that of Suzanne Degnan?

An article describing the murder of Robert Salem featured in the San Francisco Chronicle on April 20th 1970, just hours before the Zodiac Killer mailed his '13 Symbol' cipher to the newspaper, stating "I hope you have fun trying to figgure out who I killed"​​​. After four months of silence, one could easily come to the conclusion that this was no coincidence, especially when we draw a parallel from the "satan saves" message on the wall in blood, to the 888 circled in the '13 Symbol' cipher. This figure representing Jesus or Christ the Redeemer in Christian numerology. Throw in the "Ankh" and "afterlife", and the picture becomes clearer. The massive parallels of the Robert Salem murder to the Frances Brown murder are clear to see - but could a killer pretending to be Zodiac have worked all this out from the innocuous pleas for help in the Melvin Belli letter months earlier? The Zodiac Killer (referring to the murder of San Francisco police officer Brian McDonnell) stated that "I hope you do not think that I was the one who wiped out that blue meannie with a bomb at the cop station. It just wouldn't doo to move in on someone else's teritory". But was 745 Stevenson Street, just 1.6 miles from the Melvin Belli residence and 0.8 miles from Union Square, more likely the territory he operated within - and did so on April 15th 1970?   

The first coverage of the Salem murder was in the morning edition of the San Francisco Chronicle on April 20th 1970, so did the Zodiac Killer have time to construct a letter that included a cipher, bus bomb diagram and a reference to the murder of San Francisco police officer Brian McDonnell on February 16th 1970, who suffered devastating and sadly fatal injuries two months earlier, when a bomb packed with fence staples exploded on an outside ledge of Park Police Station in the Upper Haight neighborhood? The Zodiac Killer would had to have rushed this letter in order for it to be mailed and postmarked the same day. Unless, he had prepared it days earlier, just after the murder of Robert Salem and deliberately timed to coincide with the San Francisco Chronicle newspaper coverage. 

The police claimed that the "killer was not Zodiac", but with the parallels drawn from the authenticated Melvin Belli letter regarding the murder of Frances Brown - that a copycat would have been hard pushed to extrapolate - does this make the assertion that this was not a Zodiac crime by police, a rather over-confident statement just five days after the murder?